news from kintespace.com ::: Wednesday, January 30, 2008

Contents:

• ::: David Wilhite: Distant Star
• ::: the rasx() blacktronic collection
• ::: Madame JFK: Generational Wealth-Building, Part 3#### ::: David Wilhite: Distant Star

::: ::: http://kintespace.com/p_david_wilhite0.html

David Wilhite is my little brother, currently based in Atlanta, GA. We are both the son of a preacher behind closed doors who appeared in public only as a deacon of Baptist churches all over Los Angeles. So we both got the closet preacher in us. Couple that with need for precision by our father who is also a retired aircraft mechanic. We are the son of man who went from lawnmower engines aircraft engines so it should be no surprise that his sons would go from planetary snacks to galactic meals—and strive for full, universal meal.

These two excellent spoken word pieces in streaming audio, “Distant Star” and “The Divine Word,” captures this strong root and marks a great beginning for this young brother. Little brother, I am looking forward to more constructive work from you!

::: the rasx() blacktronic collection

::: ::: http://kintespace.com/p_blacktronic0.html

This ephemeral YouTube.com collection is as close to a documentary on Blactronica as I am going to get (this month). Since my investment in music making has not been as active as it should be, my music consuming is impressively voracious. It really helps me to know where the music that interests me comes from—this knowledge helps me to get closer to the music. My career in IT came from being close to the music.

When people ask me (in an IT context), “How did you get into computers?” My “strange” answer has always been that I heard them first. This little YouTube.com collection explains in way too much detail the meanings behind my “strange” answer.

What’s also strange for most is to think of Stevie Wonder as an electronic musician—but Stevie Wonder is from the Ray Charles school (among many others)—and it was Ray Charles who used an electric keyboard for the first time in widely distributed pop music—the song “What’d I Say.” So seeing Stevie Wonder with a tube in his mouth using a little thing called a talk box with his electric keys should not be a surprise.

Roger Troutman of Zapp made the talk box famous in the ’hood with all-time classic electronic jams like “More Bounce to the Ounce” and, my personal anthem, “Computer Love” that are permanently enshrined in the world of hip hop. But the prominence of hip hop (and the reason why most people on earth want to be a DJ) is because of Herbie Hancock and Grand Mixer DXT (with the help of Bill Laswell and Michael Beinhorn) in a song called “Rockit.”

Now, Roger Troutman came from the land of P-Funk, dominated by the brother, who knows how to “Funk a Stein”—a Steinway piano—as well as electric ones, [Bernie Worrell](file://S:%5Cshares%5CdataRoot%5CBernie%20Worrell). His release of the 1993 album, Blacktronic Science, brought the very word, Blacktronic, into my life. With these seminal events in place, the Blacktronic floodgates open—Egyptian Lover, Derrick May and Afrika Bambaataa approach the form different geographies and styles. Carl Craig, Tricky and Roni Size represent my age group of notable Blacktronic musicians.

::: Madame JFK: Generational Wealth-Building, Part 3

::: ::: http://kintespace.com/kp_fisher-kouadio2.html

Jeannette Fisher-Kouadio: “In Generational Wealth Building—Parts I and II, we focused on the legal, economic and tax implications for planning or failing to establish a basic estate plan, or what I refer to as the “Peace of Mind Plan” (November 2006, pgs. 3–4 and December 2006, front page, www.meenanewspaper.com). In the present article, I’d like to shift the focus from wealth-building in economical terms to the sociological aspects of future generations which we hope to someday pass our wealth.”

rasx()